General Papers
| CONTROLLING THE IMAGE: Chinese Miners on the Witwatersrand, 1904 – 1910 | |
| Franco Frescura |
| The Last Letters of Amy Levy and Eleanor Marx | |
| Donna Marie Hetherington |
| The Ascent of Woman? Victorian gender in the private letters of Charles Darwin | |
| Philippa Joy Hardman |
| ‘I know not how to express my devotion’: Keats and the Ethical Relation in the Letters to Fanny Brawne | |
| Jennifer Wawrzinek |
| Corpses, Cairns and Carrier Pigeons: Polar Postal Systems | |
| Nancy Campbell |
| Using the written letter as a fine-art source to inform and stimulate a creative practice-led enquiry | |
| RACHAEL ELIZABETH FLYNN |
| Thoughts Undelivered: Emily Dickinson and the Page | |
| Mariya Ustymenko |
| 'Naked Notes': Public/private intimate relations in Brighton picture postcard inscriptions | |
| A Pollen |
| The image of business in business correspondence: letterheads in the archive | |
| Lesley Whitworth |
| Writing from the margin: letters of resistance | |
| Paula Gabriela do Prado |
| An Epistolary Monologue: Ezra Pound’s ‘The River-Merchant’s Wife: A Letter’ | |
| HANNAH WEN-SHAN SHIEH |
| Forwards from Zimbabwe: A socio-historical perspective of forwarded email in an era of crises | |
| Corwin Luthuli Mhlahlo |
| Postcard Sentiments: Public and Private Journeys | |
| Claudia Louise Field |
| Real Britain? A postcard from the 70s | |
| Geraldine Therese Alexander |
| The Art of Bankruptcy | |
| Tim Lay, Jonathan Newman |
| “It is far too hot to give any sensible coherent criticism of your paper”: Virginia Woolf’s Letters as “Living” Literary Criticism | |
| Verita Sriratana |
| Postcards and Found Objects: the process of creating an interactive novel and website between Wales and the Southern Cone countries: Uruguay, Argentina and the Falklands. | |
| Des Barry, Diego Vidart |
| “Technologies of presence and the epistolary scene of writing” | |
| Esther Milne |
| Mexico Writes Back:Messages in a Bottle from Frida Kahlo and Subcomandante Marcos | |
| Claudia Schaefer |
| ‘Things do not connect; they correspond’: Epistolarity and Translation in Jack Spicer’s _After Lorca_ | |
| David Hull |
| Wishing You Were Here | |
| Pollyanna Ruiz |
| Exposing the rhetorics of idealized family photographs: American photographic Christmas Cards, 1930s through 1950s | |
| Alyssa Greenberg |
| Travelling Words | |
| Deborah Schultz |
| Postcards from Belfast : the relationship between the visual and the verbal in the evolution of a poem. | |
| pam thompson |
| Concrete communication: the postcard poetry of Edwin Morgan and Ian Hamilton Finlay | |
| Greg Thomas |
| The Scrapbook-Letter: embodiment and value in pictorial correspondence | |
| Jonathan Carson, Rosie Miller |
| “The weather was just right, mostly cloudy” - Will the depopularisation of the postcard as a communication medium result in the loss of a valuable handwritten language? | |
| Chris Richard Glynn, Fran Elizabeth O'Hara |
| The Genealogy of the Undelivered Letter in Modernism | |
| Thomas Karshan |
| Epistolary Encounter in Monica Ali’s Brick Lane (2003) | |
| Rachel Bower |
| Larkin's Postmen | |
| Jonathan Ellis |
| ‘And what are letters? Only a sort of pis-aller’ (Shirley): Charlotte Brontë’s Last Resort | |
| Steven Earnshaw |
| Kenneth Tynan's 'fuck file', and what I found there | |
| Morgan Daniels |
| Scribe du petit matin: Epistolarity, Storytelling, and the Creation of a Counterpublic in Gisèle Pineau’s Exile According to Julia | |
| Rosemary Michele Harrington |
| Travels with Mike: from HMS Goodwill to Yacht Jester | |
| Kai Easton |
| Lotus-eaters and Love Letters: the Undeliverable Letters and Delayed Messages of James Joyce and Jacques Derrida | |
| Stephen Graeme Abblitt |
| Four Fragments to tell a Story – Postcards from Interconnected Places | |
| Robyn Ann Creagh |
